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Kevin Mcmahon | music director and conductor

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Program Notes

Program notes are written by Dr. Joseph Milicia.

March 1, 2013

March 2013 Program Notes

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Composed in 1880 and premiered 18 December 1880 in Moscow, with an orchestra led by Nikolai Rubenstein. Isaac’s arrangement calls for 3 flutes, 2 oboes, 2...

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February 1, 2013

February 2013 Program Notes

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The 5-movement suite was composed in 1927, and premiered in Sao Paolo, June 1928, the composer conducting. It calls for 2 flutes (second doubling piccolo), oboe,...

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November 1, 2012

November 2012 Program Notes

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The ballet La Péri was composed in 1911, with its opening Fanfare added the next year; the premiere was in Paris 22 April 1912. The Fanfare...

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October 1, 2012

October 2012 Program Notes

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Commissioned by the Oregon Symphony Orchestra, the Overture of the Season was premiered by that group on 7 October, 1978, under the baton of Lawrence Leighton...

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February 1, 2012

February 2012 Program Notes

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Composed 1809-10, and first performed in Leipsig’s Gewandhaus on 28 November 1811, with pianist Friedrich Schneider; Beethoven’s pupil Carl Czerny gave the first Vienna performance the...

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November 1, 2011

November 2011 Program Notes

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Composed to be part of a ballet evening, the Tanzsuite nach Couperin was first heard at the Vienna Redoutensaal, 17 February 1923, conducted by Clemens Krauss,...

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October 1, 2011

October 2011 Program Notes

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The complete work composed in 1896 and premiered in Frankfurt under the composer’s baton. The “Sunrise” section calls for piccolo, 3 flutes, 3 oboes, English horn,...

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February 5, 2011

February 5, 2011 Program Notes

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Composed 1899-1901 (the Finale in 1892) and premiered 25 November, 1901, the composer conducting the Kaim Orchestra of Munich, with soprano Margarete Michalek.

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October 9, 2010

October 9, 2010 Program Notes

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Published in 1597, and first performed in St. Mark’s Basilica, Venice. The score, in this edition by Robert King, calls for 2 French horns, 2...

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March 13, 2010

March 13, 2010 Program Notes

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Russian composers of the last couple centuries have found themselves dealing not only with the tensions of their music, but also the social and political implications...

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